Matt Rohrer shares some of the highlights of his conversations with Bay Area surfer Jimmy Holt, focal point of one of the few surfing photos to ever appear in National Geographic Magazine. Selected photos: Jim Shaw

Mark Sankey and Alexa Poppe uncover the isolation and challenges of the Mentawai Islands, and consider the challenge of balancing tourism and sustainability, in an environmentally sensitive surfing destination.

A worthy addition to European surfing culture, the surfilmfestibal festival attempts to connect the global surfing community through moving picture, art and education. Words: Howard Swanwick. Photos: surfilmfestibal

One of the great things about surfing in this current era is the wide acceptance of different board designs. Over the last 10 years, it has become acceptable to pretty much ride anything from surfmat to singlefin, fish to longboard. Words: Chris Preston Photo (2): Dan Crockett

When the ‘Apocalypse Now’ film crew packed up and left the Philippine coastal town of Baler, they left one important item behind – a surfboard. More than 30 years on and this quiet backwater is home to a stoked crew of welcoming locals. Words: Mark Sankey Photos: Alexa Poppe

Portugal explodes onto the global big wave circuit with a handful of household names and a freakish wave canyon. Photos: Jorge Leal and Wilson Ribeiro.


Making lines

October 02, 2009 | Words By:

openerI recently came across some gorgeous work from an artist who proves that you don’t have to be near the ocean to feel the stoke – meet the fabulous Collin Snyder, currently land-locked in Arizona.

“We are all making lines of some sort through this life. Whether it’s going to school and studying to become a doctor, or picking up a guitar and jamming over and over again because you love how it feels to close your eyes and feel vibrations… We’re all making lines.

These lines are our experiences and aspirations, materialised through events, environment, and our choices of self-expression. I love making stuff… It makes sense to me to take a look at everything in the world, take what you see, hear, or feel, figure it out and express how it affects you (or let it stay ambiguous).

Most of what I make to represent what I see in the world takes form through photographs, paintings, and drawings. My photographs stem from looking around and exploring; seeing things and then reconstructing them in a new way.

It’s amazing how a camera can change or portray things in a way that isn’t apparent to the naked eye. On the other side of things, what I paint and draw is more of an excited reaction to the things that I get stoked on, or feel strongly about. They often contain phrases I believe in, or hidden notes and symbols of events that have happened.

Painting and drawing allow more of the creative process to have an effect on what I make – it can take a long time to get a drawing done, and it’s pretty exciting to identify all the different experiences or feelings I had while creating the piece, incorporated in the final work. Conversely, photography is a pretty immediate medium. These differences are pretty exciting and challenging and allow for me to understand my own lines that I am making in life.”

Check out more of Collin’s musings on his blog.

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  1. This kid’s work is siiick!

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