Matt Rohrer shares some of the highlights of his conversations with Bay Area surfer Jimmy Holt, focal point of one of the few surfing photos to ever appear in National Geographic Magazine. Selected photos: Jim Shaw

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A worthy addition to European surfing culture, the surfilmfestibal festival attempts to connect the global surfing community through moving picture, art and education. Words: Howard Swanwick. Photos: surfilmfestibal

A world away from the average commercial surf competition, pushy dads and nervous groms, generations share the stoke at a contest that celebrates the original Hawaiian spirit. This is truly a unique perspective in surfing. Photos: Yves S

Quietly considered and eloquent, you might know of Nathan Oldfield through his films 'Lines From A Poem' and 'Seaworthy'. Surf Screen's Christiaan Bailey popped him a few duly thoughtful questions about creative motivations and the surf film industry. Photos: Nathan Oldfield

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott


Making lines

October 02, 2009 | Words By:

openerI recently came across some gorgeous work from an artist who proves that you don’t have to be near the ocean to feel the stoke – meet the fabulous Collin Snyder, currently land-locked in Arizona.

“We are all making lines of some sort through this life. Whether it’s going to school and studying to become a doctor, or picking up a guitar and jamming over and over again because you love how it feels to close your eyes and feel vibrations… We’re all making lines.

These lines are our experiences and aspirations, materialised through events, environment, and our choices of self-expression. I love making stuff… It makes sense to me to take a look at everything in the world, take what you see, hear, or feel, figure it out and express how it affects you (or let it stay ambiguous).

Most of what I make to represent what I see in the world takes form through photographs, paintings, and drawings. My photographs stem from looking around and exploring; seeing things and then reconstructing them in a new way.

It’s amazing how a camera can change or portray things in a way that isn’t apparent to the naked eye. On the other side of things, what I paint and draw is more of an excited reaction to the things that I get stoked on, or feel strongly about. They often contain phrases I believe in, or hidden notes and symbols of events that have happened.

Painting and drawing allow more of the creative process to have an effect on what I make – it can take a long time to get a drawing done, and it’s pretty exciting to identify all the different experiences or feelings I had while creating the piece, incorporated in the final work. Conversely, photography is a pretty immediate medium. These differences are pretty exciting and challenging and allow for me to understand my own lines that I am making in life.”

Check out more of Collin’s musings on his blog.

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ways to look and move


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  1. This kid’s work is siiick!

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