Matt Rohrer shares some of the highlights of his conversations with Bay Area surfer Jimmy Holt, focal point of one of the few surfing photos to ever appear in National Geographic Magazine. Selected photos: Jim Shaw

Tucked away at the top of a hill near Gwenver beach in Cornwall, Skewjacks was the definitive 1970s surf camp. Drift took four of its founding fathers - Dicky, Harvey, Jamo and Mickey - to the pub and reminisced about good times gone by. Words: Jamie Bott Credit & thanks to Graham Shephard & Mel Sedgwick

From WQS warrior to independent filmmaker via a AUS$27,000 debt, Johnny Abegg has trod an unconventional path through life so far, and proves that a relentlessly positive outlook and upbeat character can see you through the toughest times... Words: Mark Sankey Photos: Johnny Abegg

Joe Curren is the surfing equivalent of old growth, his style in the water and behind a lens is deeply rooted, contemplative and quietly powerful. Jair Bortoleto caught up with Joe to talk about family, travel, and shooting analogue in the digital age. Words: Jair Bortoleto Photos: Joe Curren

Bing Copeland was a pioneer of the modern surf industry. In his excellent new retrospective, ‘Bing Surfboards – Fifty Years of Craftsmanship and Innovation’, Paul Holmes discovered what makes Bing tick. Words: Bing Copeland & Paul Holmes Photos: Courtesy of Bing Copeland

Highs and lows in Morocco. Photos and words by Dan Crockett.


Portfolio – Ollie Howe

November 06, 2009 | Words By:

ollie-openerThe beauty of Drift is that everyone knows someone who knows someone who does something cool. I love it when I get one of those “You should check out…” emails, because it invariably leads to a few moments of eye-candy-fed escapism, and I feel it’s my duty to pass on the goodness.

Most recently, thanks to the superbly monikered illustrator/designer Diggy Smerdon, I’ve been introduced to the work of Ollie Howe. I’ll let Ollie do the talking…

“I’m thankful to have grown up in and around the sea in South Devon. When I was about 14, I got hooked on bodyboarding. I had a great pack of friends to surf and hang out with locally down here and up in North Cornwall, but as soon as I was able, I began travelling in search of the images I had spent my youth staring at in magazines. Many great waves and cultures later, I’m now pretty happy riding any kind of board in any kind of wave – I still love bodyboarding, but I’m equally happy hopping on a fish, shortboard or log, whatever suits the wave.

I’d always been pretty amazed by skate, snow and surf photography, but growing up I was too busy actually doing one of those three things to take time out to document them. In the last couple of years, though, I’ve grown to love capturing moves on film just as much.

As far as inspiration goes, I’m always stoked by the people I hang out with at home. Everyone’s into everything, and they all respect each other’s different styles and chosen ways to ride. Heaps of my friends cross over from skateboarding to snowboarding, longboarding to shortboarding, riding bodyboards to fish.

I think that my photography is influenced by people like Alex Williams, a great local photographer who etched the path for most of the newer guys – guys like Mickey Smith, who’s capturing incredible images that just keep getting better. Appreciating other genres also helps keep things fresh, and I try to incorporate ideas from skate and snowboard photographers like Newsome, Brittain, Kosick, Barash and Blotto.”

the-slab

Image 16 of 16


[The slab] This place blew me away three days in a row; it’s easily got the best barrels I've seen in the UK. Although it never really got too busy, almost every wave that came through had a very happy bodyboarder sat right in the middle of it. This is my friend Andy, who told me about the place.


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