Matt Rohrer shares some of the highlights of his conversations with Bay Area surfer Jimmy Holt, focal point of one of the few surfing photos to ever appear in National Geographic Magazine. Selected photos: Jim Shaw

From WQS warrior to independent filmmaker via a AUS$27,000 debt, Johnny Abegg has trod an unconventional path through life so far, and proves that a relentlessly positive outlook and upbeat character can see you through the toughest times... Words: Mark Sankey Photos: Johnny Abegg

Mark Sankey discusses the merits and faults of EPS with two of Britain's finest craftsmen, Mark Dickinson and Rob Lion, both of whom have been shaping the stuff with style for a good few years now... [photos by Ollie Banks]

Cyrus Sutton made an impression on the international film circuit with his 2003 breakthrough movie 'Riding Waves'. Now the EMMY award-winning documentary maker has turned his attention to the divergent surf scenes of Australia's Gold Coast and Byron Bay. Words: Tommy Leitch Photos: Courtesy of Cyrus Sutton

Flitting between awesome waves at Aileens and Nelscott Reef is all in a week's work for Ireland's big-wave master Al Mennie. Words: Al Mennie Photos: Al Mennie, Gary McCall, Larry Jansky, Richard Hallman

James Bowden kissed goodbye to Blighty and set off for Tasmania's wild in January this year. He shares some of his findings along the way with his own distinctive style.


The importance of a good work ethic

October 21, 2009 | Words By:

malcolm-shapingIn the commercial and industrialised operation that global surfboard production has become, the value of people and community have largely been lost. Recently we had the opportunity to chat to Malcolm Campbell, the creator of the Bonzer (a Drift feature is on its way), about his views on the globalisation of the surfboard industry. Words: Steve Croft & Mark Sankey, photos: Alexa Poppe.

Over the years the Campbell brothers have been indirectly approached by some of the world’s largest board manufacturers, but they have always stuck to their principles of hand-built surfboards – high production values, low turnover of goods. When asked for his views on the current trend to mass-produce surfboards in the Far East, Malcolm replied, “We believe in the decentralisation of production. Instead of having all the boards made in one place and then distributed around the world, we believe in coming out to places like England and working with local people. You can have the boards produced locally, so you’re giving something back to the community which is supporting you.”

img_2078_smallWith the market overflowing with imported epoxy composite surfboards and some of the surfing world’s big-name shapers backing them, has Campbell ever been tempted to go down that route? “I do not think those boards perform as well. Polyester – or even a custom EPS – perform better than the equivalent composite board. Some of it’s to do with performance, but it’s more really to do with our theories of business and community. I would rather give work to guys in the area where people are buying the boards.”

img_2333_bonzerwhite1This people-centric philosophy is fundamental to Campbell’s approach to surfing and is shown in their logo – two figures representing people and the community.  “We are really into design and really into surfing but the thing that has kept the Bonzer going is that it works for average surfers; if it didn’t then it would have died out. We really stuck with it because we want to give something back to surfing because it has given so much to us. We believe in the design but we also want to contribute to the surfing community.”


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