Matt Rohrer shares some of the highlights of his conversations with Bay Area surfer Jimmy Holt, focal point of one of the few surfing photos to ever appear in National Geographic Magazine. Selected photos: Jim Shaw

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe

Cyrus Sutton made an impression on the international film circuit with his 2003 breakthrough movie 'Riding Waves'. Now the EMMY award-winning documentary maker has turned his attention to the divergent surf scenes of Australia's Gold Coast and Byron Bay. Words: Tommy Leitch Photos: Courtesy of Cyrus Sutton

Mark Leary's latest work deviates sharply from the usual surf photography portfolio, celebrating as it does the commonplace, everyday aspects of surfing instead of monster swells and awesome barrels. Chris Preston chats to him about moments captured.

When the ‘Apocalypse Now’ film crew packed up and left the Philippine coastal town of Baler, they left one important item behind – a surfboard. More than 30 years on and this quiet backwater is home to a stoked crew of welcoming locals. Words: Mark Sankey Photos: Alexa Poppe

From WQS warrior to independent filmmaker via a AUS$27,000 debt, Johnny Abegg has trod an unconventional path through life so far, and proves that a relentlessly positive outlook and upbeat character can see you through the toughest times... Words: Mark Sankey Photos: Johnny Abegg


Stranger Illustration Competition

October 04, 2010 | Words By:

This week Stranger launched a seriously exciting competition which gives anyone, including new and established illustrators, graphic designers, artists or anyone keen to have a go the chance to have their work featured alongside some of the UK’s top illustrators in a special range of charity Christmas cards for ShelterBox.

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